Chloe Sevigny kissing Harmony Korine
— Mary Karr
“It’s a lie. It’s a bunch of sad strangers photographed beautifully, and… all the glittering assholes who appreciate art say it’s beautiful ‘cause that’s what they wanna see. But the people in the photos are sad, and alone… But the pictures make the world seem beautiful, so… the exhibition is reassuring which makes it a lie, and everyone loves a big fat lie.” - Closer (2004)
Some poems from “B Is for Bad Poetry” by Pamela August Russell
In the bar I ask the man what the saddest moment of his life was.
He says, “When my baby died.”
Wanting to be on a different note, I ask him the happiest moment.
He says, “When my baby was born.”
See, this is the trouble: you have a face like a Walt Whitman poem
and arms I’d imagine Dante would have if only
he explored my skin instead of the seven circles of hell, which,
if you want to get technical, are the same thing.
Love is not something you deplete but after a while
I erased the greatest parts of my loving; the beginning, middle,
and end of our story, which is not to say I gave up entirely on your
face being a poem, but that I stopped reading the pillow marks
against your cheek like Braille, stopped
feeling the hair along your arms like a letter I can’t
open, the sender sealed the words too passionately.
Even in that dark bar with the man speaking of his individual sadnesses, I think back to you in the city we both know
and me, slowly decaying on a park bench with cigarettes and coffee stained with liquor.
I ask the man in the bar if he’s ever been in love. We raise our glasses
to the past which loved us; and eventually we raise to the future,
which hadn’t the audacity to get to know us yet. Evidently
I think back to the times when you lay beside me like a still life, all gracefulness and truth, not wanting to be anything
except what it was and me, wanting
to be everything I was not.